SXSW, day three

Friday started out strong. I headed over to yet another Brooklyn Vegan day show, glad for the chance to see BOBBY for a second time. (Too bad time only permitted them to perform three songs.) I stuck around Swan Dive/Barbarella the BV-claimed sites of the week for another few acts – Paleo and Holy Sons – before wandering into Side Bar where I saw The Bird and the Batteries.

the crowd at the French Legation Museum (photo Jon Bernhardt)*

I continued on my way, out to the French Legation Museum for the third day in a row. There, I saw an impressive line-up: Lower Dens, Grass Widow, The Ghost of a Saber Tooth Tiger, Cults, Sam Amidon, and tUnE-yArDs. (I decided against running back up the hill to attempt to see James Blake through the thick crowd. Prior to his Friday show, Blake headlined both an NPR showcase and the Pitchfork showcase.

Technical problems with Cults aside, I was fairly delighted with what I saw. Their music is upbeat and catchy. Any small flaws in their performance just made me like them more.

Cults RIYL Eternal Summers, No Joy (photo Bryan Bruchman)

Cults clip:

With three familiar acts and 3 never-before-seen it was a nice mix: familiar but also fresh. tUnE-yArDs put on an especially powerful show, successfully baiting the lingering James Blake crowd over to check her out after he had finished his set on the opposing stage.

the fierce Merrill Garbus of tUnE-yArDs (photo Jon Bernhardt)*

One of the biggest surprises of the day came as I was coming back from the French Legation Museum. As I passed an auto repair shop, I heard Grimes introduce herself and begin to play. For a minute, I watched from the fence but soon decided to go in. Grimes is the solo project of Montreal-based artist Claire Boucher. She mixes together samples and loops together her voice and keyboard riffs to create danceable music – kind of like a female Baths, minus most of the awkwardness.

Grimes RIYL Baths (photo David J. Romero)

Grimes clip:

Next up, I saw a series of new acts: aptly named folk/rock outfit The Head and the Heart, cute husband/wife duo Reading Rainbow, and looping expert Yellow Ostrich at Antone’s, before heading out to the Ghost Room to see Social Studies and Agent Ribbons.

Reading Rainbow RIYL La Sera (photo Charlotte Zoller)

Reading Rainbow clip:

Though The Head and the Heart was the best attended set of the group, I think my favorite acts were Reading Rainbow and Yellow Ostrich. The Head and the Heart seem like an earnest, enthusiastic bunch, but other than a song or two, their songs don’t really strike me. They seemed well-suited for the Austin setting though.

The final few shows turned out to be a wash. I should have known when I got in the horrendous line outside the Pure Volume venue that it was a bad idea. I should have known to turn back when I heard the guy in front of me admit he was only waiting in line for the free booze and didn’t know who was playing.

But like a fool, I stuck it out. Baths would be a good way to conclude the evening, I thought. A burst of energy to help inspire/liven up the bicycle ride home. Except they were running some 45 minutes behind schedule, and after witnessing the horrors of the videographers and the dancing drunks, I decided to head out after seeing just Clock Opera and Jonquil. I regretted not taking Sam Amidon’s advice and seeing David Thomas Broughton.

Lesson learned. Free booze is nice, but not when it means large, obnoxious, and largely indifferent crowds. Just can’t handle it.

band count of the day: 19

*For more great SXSW pictures, be sure to check out Jon Bernhardt’s Flickr page.


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"He considered music a liberating force: it liberated him from loneliness, introversion, the dust of the library; it opened the door of his body and allowed his soul to step out into the world to make friends."

- Milan Kundera's The Unbearable Lightness of Being


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