A couple of months ago, I poured over an article detailing the decline of doo-wop with interest. No, I’ve never been a connoisseur of the genre, but it always brought a smile to my face when I heard one of The Ronettes or The Temptations. In fact, those dulcet girl groups and foot-tapping melodies seemed to be creeping up with increased incidence. Hearing a little doo-wop between sets at a trendy indie show is certainly not unusual.
So, in this – the very age of nostalgia – why isn’t doo-wop more popular? Are we simply too cynical to accept it? Might it still have its turn for a comeback? And how do you measure the vitality of a genre? Does it have to keep churning out new artists and producing new music for it to be “alive”?
If you’ve got answers, I’d love to hear them.
In the meantime, here’s a modest little compilation of some of the essentials. Maybe it won’t be enough to rekindle an interest in the genre or to launch a new era of doo-wop groups, but as long as these songs continue to net hundreds of thousands of plays on Youtube – a site that seems to be a far more popular source of boobs and baby animals – the genre hasn’t breathed its dying breath just yet.
“Then He Kissed Me” by The Crystals
“Who Wrote the Book of Love” by The Monotones