Well, here we go again. Another year, another never-ending line-up. I set out last night to make a short list of bands to check out, and here are just a few that stuck with me. There will be more to come!
a band that would have been in the Harold and Maude soundtrack had they only been around. Reminiscent of Vetiver… except you actually want to listen to them. I mean come on. There latest album is called On a Passing Cloud. The album art is terrible, but what it conceals is worth the listen.
“On a Passing Cloud”
Heavenly Beat – Brooklyn, NY
Photo courtesy of the artist Heavenly Beat
the part of Beach Fossils that didn’t become DIIV. John Peña creates “breezy, jazzy indiepop – complete with breathy vocals, sampled steel drums and pizzicato strings” (to commandeer the words of Bill Pearis, one of my favorite sources for all things pop). Yes, and yes. Captured Tracks did right to snatch this up. Stream the Talent EP.
Opossom – New Zealand
anthemic and lo-fi, a rare combo, but one that should be invoked more. And they consistently nail it. Sublimely scuzzy. This trio also gets major points for traveling from New Zealand.
Foreign Fields– Nashville, Tennessee by way of, you guessed it, Wisconsin
A departure from anything else in this list, and likely, from anything else you’ll see at CMJ. This is good stuff, folks. Not flavor of the week. Gem Club with a Bon Iver-like back story – the record was created in part in an abandoned building in Wisconsin in the dead of winter… that and in a sweltering Tennessee summer. Sad bastard music for the best of us. Apparently the song below was already featured on Parenthood like that show needs any help when it comes to coaxing tears out of its audience.
I encourage you to check out the official CMJ site, where you can create a username and make your own schedule. And of course, there’s also Oh My Rockness, which never ceases to be helpful–especially when there are so many unofficial shows going on. Heck, even if you’re not in New York this week, they are both still great sources for learning about new music if you’re willing to do a little research.
2011 may technically be a thing of the past, but what’s a few more lists, right? I’ll begin the trio with my favorite shows of the year. This list is always the most fun to put together because unlike the best songs or best albums, the list of contenders is limited to the shows that I managed to catch.
There are so many factors that go into a good show: the crowd, the venue, the sound, the music, and even the stage banter and my mood. All too often, concerts leave me rather indifferent. Here are a handful of the shows that I won’t soon forget.
13. Timber Timbre + Angel Olsen – Glasslands, April 14th* Of course, we’ve already established that Angel Olsen is a delight, so seeing her open for Timber Timbre was a nice treat – especially on such a small stage! For the late night show, Glasslands underwent a dramatic transformation. Usually whimsical and cozy, for Timber Timbre’s set, the venue transformed into an eerie, lantern-bedecked cavern, which mirrored the Canadian group’s spooky blues sound perfectly.
12. Lykke Li + Grimes – Webster Hall, May 18th* Maybe it was the sheer spectacle of Lykke Li dancing and prancing on stage or her amazing charisma – whatever the case, this was a solid show (even if Li’s album, Wounded Rhymes, didn’t hold up for me). Of course it didn’t hurt that Grimes, “the sound of the future” according to one music fan I spoke to, held the opening slot. These women will challenge even the most aloof hipster to get down.
Lykke Li (Photo Chris Jobling)
11. M83 + Active Child – Music Hall of Williamsburg, November 23rd* From Anthony Gonzalez’s introductory yelp (“Carry on! Carry on!”), M83 was an unstoppable force. They exuded confidence and competence in equal measure – a rare feat these days.
10. Bon Iver + The Rosebuds – United Palace Theatre, August 9th* I don’t expect Bon Iver’s 2011 release to make the cut for best albums, but there’s no denying it – that man’s voice could cure a cripple, enough so that I was even willing to give that ridiculous saxophone solo a pass.
Justin Vernon of Bon Iver (Photo Renee)
9. Mount Eerie + Wyrd Visions – St. Cecilia’s Roman Catholic Church, June 19th* (Northside Fest)
Northside Fest brought some great artists to town in June, Mount Eerie, and this show was the highlight for me. Given the reverence lavished upon Phil Elverum by his fans (I turned into a giggling mess at the merch booth myself when I finally got my hands on The Glow, pt. 2 on vinyl), it only seemed right to watch the show from church pews. (Much love for Wyrd Visions, too!)
8. St. Vincent with Cate le Bon – Webster Hall, November 3rd* Perhaps one of the most flawless and powerful performances I saw all year – Annie Clark brings it.
St. Vincent (Photo Guus Krol)
7. Feist + Mountain Men – Church of the Intercession, October 3rd*
This show was certainly a surprise – for me and the hundred or so others in attendance. It’s not often you find yourself at a crypt in Harlem – especially with an orchestra, Leslie Feist, and the lovely women of Mountain Man. Definitely a treat.
Feist (Photo Jill Mapes)
6. Sea of Bees – Rockwood Music Hall (stage 2), October 21st(CMJ)
Good God, Jules Baeziger left me breathless with this one. In the midst of all the prefab beats, glitz, glitch, and hype that comes with CMJ, an intimate Sea of Bees set was just what I needed. I think I cried at this one. Multiple times. So good.
5. PJ Harvey – Terminal 5, April 19th* Yes, it was Terminal 5, but come on. We’re talking PJ Harvey here. I could hardly believe I was in the same room as her, let alone listening to her play from my perch in the VIP balcony. Cat Power may have been a bust last year, but PJ Harvey? Untouchable.
PJ Harvey (Photo Il Fatto Quotidiano)
4. Austra – Emo’s, March 17th (SXSW) I definitely didn’t know when I was getting into when I stepped into the Domino showcase at Emo’s last spring. With SXSW, it’s always a temptation to dart from show to show, but Austra definitely caught my eye, and I think you’ll see why…
3. Sufjan Stevens + Diamond Rings – Prospect Park, August 3rd*
Despite the fact that rain poured down on us for upwards of three hours, the mood at the park was ecstatic. Swirling neons, giant blow-up men, quick choreography, ridiculous costume changes, Kat Martino’s solo, and beach balls were just a few of the things that made this show pop. Epic in every sense of the word – and worth every drop of rain.
Sufjan Stevens (Photo Jon Uleis)
2. John Maus – 285 Kent, October 19th* (CMJ) Stepping into this show (another Domino showcase) felt like stepping back in time when music still mattered enough to make you forget everything else and embrace the moment in all its sweaty, smokey glory. Like a cult leader, Maus writhed and shook on stage with fervor as the music swept over the room of his unquestioning followers. Magic.
John Maus (Photo Stephan CK)
1. Laura Marling – Audio Visual Arts Gallery, September 28th*
A private song with Laura Marling? Hands down my favorite music moment of the year.
Picture me and Laura sitting in this room (Photo RK)
"He considered music a liberating force: it liberated him from loneliness, introversion, the dust of the library; it opened the door of his body and allowed his soul to step out into the world to make friends."
- Milan Kundera's The Unbearable Lightness of Being